top of page

You Are Professor Thrupiece And I Claim My £5

Writer: Professor Brian ThrupieceProfessor Brian Thrupiece

Modern reproduction of a Maxim's menu dating from c1876.  Correspondent Mr Archibald Stalker believes the caricature image to include a representation of Professor Thrupiece as a fat waiter approaching a formidable lady who appears to be complaining to a bemused couple that she has just been propositioned by Mr Harvey Weinstein [Far Left]..
Modern reproduction of a Maxim's menu dating from c1876. Correspondent Mr Archibald Stalker believes the caricature image to include a representation of Professor Thrupiece as a fat waiter approaching a formidable lady who appears to be complaining to a bemused couple that she has just been propositioned by Mr Harvey Weinstein [Far Left].

Inveterate Thrupiece spotter Mr Archibald Stalker has written to say that he believes he has identified yet another image of the Professor contained in the archives of Maxim's, the iconic Parisian Restaurant which inspired, amongst many other artistic works, several scenes in Franz Lehar's well-known operetta The Merry Widow [or, as the Germans in their irredeemably teutonic way would have it "Die Lustige Witwe"]. As he explains:


"I was perusing the World Wide Interweb in the comfort of my own home office when, at approximately 8.15pm on Wednesday 12 June, a series of images leapt before my disbelieving eyes. Some of them were, to say the least, surprising. I had placed the words "fun, widow, available and Paris" into the little box with the magnifying glass sign next to it and pressed carriage return on my computer input device ["keyboard" Ed]. Sifting through the many and varied images which lay before me - some of them more au naturelle than I had would have thought decent - I chanced across the enclosed and immediately recognised a caricature of Professor Thrupiece at the heart of it. Whilst there can be no doubt - to my mind at least - that this is a representation of the Professor (and my nephew Jeremy, who is something called a "facial recognition software engineer", endorses this view), my startling identification does pose something of a problem or "reveal a potential disparity" if you prefer.


Detailed and computer-enhanced image provided by facial recognition software engineer Jeremy Stalker which his uncle claims proves definitively that Professor Thrupiece was capable of time travel.
Detailed and computer-enhanced image provided by facial recognition software engineer Jeremy Stalker which his uncle claims proves definitively that Professor Thrupiece was capable of time travel.

The date of origin of the image can be established with reasonable certainty as being on or around 19 September 1876. It is my understanding that Professor Thrupiece was not born until 1940 and, assuming that his age as depicted in the image [see opposite] is in the region of the mid 50s, this would suggest that the image is at least 119 years too young to be authentic. I wonder if any of your readers can "explain away" this potentially puzzling anomaly. I had wondered whether the ever fertile brain of the Professor might have conjured (unknown to science generally) a time machine capable of placing him in another era, another profession and another suit? This seems to me - Ockham's Razor being appropriately deployed - to be the simplest and most obvious explanation though several fellow Thrupiece watchers to whom I have put this proposition are mildly sceptical. Help please?

 
 
 

コメント


The Threadbone Corporation (AJTCorps)

The Mall

Great Heaving

West Lulworth, UK

Tel: +44 (0)1929 400000

  • White Facebook Icon
  • White Twitter Icon
  • White Pinterest Icon
  • White Instagram Icon
  • Facebook Social Icon
  • Twitter Social Icon
  • Google+ Social Icon
  • YouTube Social  Icon
  • Pinterest Social Icon
  • Instagram Social Icon

DISCLAIMER: Though it will be perfectly obvious that the absurd world of Professor Thrupiece and his corporate affairs is no more nor less than the product of a fevered brain, it is clearly affirmed here that any resemblance to actual persons, organisations or events is purely coincidental and that no slight or injury of any kind is intended to any person alive, dead or yet to be born.

bottom of page